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Recent readers will recall that on our visits
to Christmas fairs in Hampstead and Bath we were nearly crushed in stampedes of
agitated revelers wearing plush reindeer antlers and reeking of too much mulled
wine. Longing for a festive alternative to these mercantile orgies, we visited a
seasonal event familiar only to the cogniscenti—the Druid fair in the tiny
neighborhood of Crumb-on-Saucer in a remote corner of London’s East End.
The
passionate neo-pagans who hold this gathering each December wait feverishly for
the winter solstice, for they are an urban offshoot of the worshippers at
Stonehenge. Indeed, they have erected a miniature model of that fabled temple
in a courtyard behind the 16th-century Hedgehog Tavern (hard by the oldest
Sainsbury Local in Britain). Here blue-faced celebrants of both sexes dance
bare-chested, chanting rhymes in a tongue so ancient that some anthropologists
have traced its cadences to the mating calls of prehistoric birds.
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Our journey to the fair was eventful in itself, a hypnogogic ride. Descending further underground at the Holborn tube stop than ever before, we took the little-known Nutmeg and Squirrel line (an off-shoot of the Picadilly), and our ride was made unexpectedly festive by a band of Icelandic folk dancers wearing musk-ox horns, which sounded thunderously when they butted heads in a complex reel. The N&S line, which is available for use only between November 28th and January 14, featured complementary cups of rum punch infused with a viscous red elixir
that we were told was the blood of newly slaughtered she-foxes and served by pale young women in buckskin bustiers. It was certainly a potent decoction because I slept through the remainder of the circuitous subterranean ride, and neither Di nor Ben (visiting from New York) could remember arriving at the festival.
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Our journey to the fair was eventful in itself, a hypnogogic ride. Descending further underground at the Holborn tube stop than ever before, we took the little-known Nutmeg and Squirrel line (an off-shoot of the Picadilly), and our ride was made unexpectedly festive by a band of Icelandic folk dancers wearing musk-ox horns, which sounded thunderously when they butted heads in a complex reel. The N&S line, which is available for use only between November 28th and January 14, featured complementary cups of rum punch infused with a viscous red elixir
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that we were told was the blood of newly slaughtered she-foxes and served by pale young women in buckskin bustiers. It was certainly a potent decoction because I slept through the remainder of the circuitous subterranean ride, and neither Di nor Ben (visiting from New York) could remember arriving at the festival.
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relief we soon discovered
that were but place holders for the actual victim—a recalcitrant goat who was
pulled into the circle, braying in protest. Always sensitive to animal cruelty,
Di covered her eyes, but she needn’t have: within minutes the celebrants, using
tiny brushes, had painted on the protesting beast, from head to hoof, a map of
ur-Druidia, a kingdom that once stretched from southern Greenland to Asia Minor
and of which modern day Luxembourg was its sacred capital.
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A charming tale
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